An Evening with Jordan Abel

Tuesday, September 26, 2023 from 7:00 pm to 8:00 pm Archived

Streaming on YouTube & Atrium, McNally Robinson - Grant Park, 1120 Grant Avenue

Join us as we welcome acclaimed author Jordan Abel back to Winnipeg to discuss his new book Empty Spaces (McClelland & Stewart). This event features a reading and a conversation hosted by Niigaan Sinclair followed by a book signing. Presented in partnership with McNally Robinson Booksellers as part of THIN AIR 2023: The Winnipeg International Writers Festival.

The event will be hosted live in the Atrium of McNally Robinson Booksellers, Grant Park and also available as a simultaneous YouTube streamBefore arriving, please review details of how to attend physical events at the store. The venue is accessible.

Jordan Abel’s extraordinary debut work of fiction grows out of his groundbreaking visual compositions in NISHGA, which integrated descriptions of the landscape from James Fenimore Cooper’s nineteenth-century settler classic The Last of the Mohicans into his father’s traditional Nisga’a artwork. In Empty Spaces, Abel reinscribes those words on the page itself, subjecting them to bold rewritings and inviting us to come to a crucial understanding: that the land knows everything that can and will happen, even as our world lurches toward uncertainty. The result is a bold and profound new vision of history that decenters human perception and forgoes Westernized ways of seeing.

Jordan Abel is a queer Nisga’a writer from Vancouver. He is the author of The Place of Scraps (winner of the Dorothy Livesay Poetry Prize), Un/inhabited, and Injun (winner of the Griffin Poetry Prize). NISHGA was the winner of the Hubert Evans Non-Fiction Prize and the VMI Betsy Warland Between Genres award, and was a finalist for the Hilary Weston Writers’ Trust Prize for Nonfiction, the Wilfrid Eggleston Award for Nonfiction, and the Roderick Haig-Brown Regional Prize. Abel’s work has been published in numerous journals and magazines—including Canadian Literature, The Capilano Review, and The Fiddlehead—and his work has been anthologized widely, including The Broadview Introduction to Literature. Abel completed a Ph.D. at Simon Fraser University in 2019, and is currently an Associate Professor in the Department of English and Film Studies at the University of Alberta where he teaches Indigenous Literatures, Research-Creation, and Creative Writing.

Host Niigaan Sinclair is Anishinaabe (St. Peter’s/Little Peguis) and a professor at the University of Manitoba, where he holds the Faculty of Arts Professorship in Indigenous Knowledge and Aesthetics in the Department of Indigenous Studies. Niigaan is also an award-winning writer, editor and activist who was recently named to the “Power List” by Maclean’s magazine as one of the most influential individuals in Canada. In 2018, he won Canadian columnist of the year at the National Newspaper Awards for his bi-weekly columns in The Winnipeg Free Press and is a featured member of the Friday “Power Panel” on CBC’s Power & Politics. A former secondary school teacher, he won the 2019 Peace Educator of the Year from the Peace and Justice Studies Association based at Georgetown University in Washington, DC.

Empty Spaces

Jordan Abel

From the acclaimed, boundary-breaking author of NISHGA comes a hypnotic and mystifying exploration of land and legacy.

Reimagining James Fenimore Cooper’s nineteenth-century text The Last of the Mohicans from the contemporary perspective of an urban Nisga’a person whose relationship to land and traditional knowledge was severed by colonial violence, Jordan Abel explores what it means to be Indigenous without access to familial territory and complicates popular understandings about Indigenous storytelling. Engaging the land through fiction and metaphor, the successive chapters of Empty Spaces move toward an eerie, looping, and atmospheric rendering of place that evolves despite the violent and reckless histories of North America. The result is a bold and profound new vision of history that decenters human perception and forgoes Westernized ways of seeing.

Jordan Abel’s extraordinary debut work of fiction grows out of his groundbreaking visual compositions in NISHGA, which integrated descriptions of the landscape from Cooper’s settler classic into his father’s traditional Nisga’a artwork. In Empty Spaces, Abel reinscribes those words on the page itself, subjecting them to bold rewritings and inviting us to come to a crucial understanding: that the land knows everything that can and will happen, even as our world lurches toward uncertainty.

Venue